Éditions Contredanse
Médiation
Installation – Re.Dancing
![](https://contredanse.org/wp-content/uploads/2023/02/re.dancing-cAnneGolaz-e1675956637547.jpg)
Baptiste Andrien & Florence Corin in collaboration with Lisa Nelson
Housed within the festival LEGS and all along it, the installation Re.Dancing is the outcome of research on the software Touché – Real Time Video Editing Playground undertaken by Contredanse with American choreographer Lisa Nelson. Two video game consoles and a screen. Through this simple and participative device, the audience are invited to revisit archive images of choreographic pieces and to “touch the movement”, see and feel the dance, and come away with a different understanding of it.
Other events and articles that may interest you
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Call for Applications: Writing Grant and Publication in Dance
Are you conducting a dance-related research project and wish to finalize and publish it?Contredanse and Charleroi danse are joining forces to offer a €3,000 writing grant, workspace, and editorial support to help you bring your research to completion and publication. Please note: The research and publication must be written in French. Who is it for?Dancers, […]
![](https://contredanse.org/wp-content/uploads/2024/12/visu_carre_pink2-e1734701919904-400x260.jpg)
Happy new year – the documentation centre is open
The documentation center is reopen. The team will welcome you on Tuesdays and Thursdays from 10:00 to 13:00 and 14:00 to 17:00. Until your visit, don’t hesitate to start your research by consulting all the resources we have on Parade! See you soon, The Documentation Centre team.
![](https://contredanse.org/wp-content/uploads/2024/12/cdd_memoire-e1734692063756-400x260.jpg)
To go further — Repertory and memory
À partir de quel moment une œuvre entre-elle au répertoire ? Est-ce le nombre de ses représentations, la fréquence de ses reprises, le caractère universel de son propos, la façon dont elle reflète l’identité d’un.e. auteur.e chorégraphe ? D’où naît cet élan, cette force, cette nécessité qui pousse un artiste à s’emparer et revisiter une œuvre ? Comment […]